“what remains and is to come”

This strand of “what remains and is to come” - in collaboration with Jens Meisner is an early investigation into a “materiality” of the motion capture process as we explore a capture of movement in a digital print-making process.

In “what remains and is to come”, Katrina Brown and Rosanna Irvine work with the materiality of charcoal, paper, body and breath. A work-like approach, repetitive action, systematic enquiry and a concern with treating materials not as tools for a prior intent but as equals in the making process are guiding principles in the project. The live event is a dynamic and performative activation of material processes - leaving behind an installed presence of sound and human scale charcoal prints.